Newsgroups: rec.music.indian.misc From: nuts@virginia.edu (Nuts) Subject: Re: Singers and Actors Date: Tue, 20 Dec 94 15:27:13 EDT Lines: 78 It is rather interesting, isn't it, the question of whose voice matches whom? While you and I can quickly discard pairings which are ludicrous - S. P. Balasubramaniam singing for Amitabh Bachchan? - music directors work under much tighter constraints, I'm sure. It might be enlightening to take a step behind the scenes and try and figure out how it all works. Well, so let's do it then! So, once the song is composed (and it must be composed with a situation in mind - not the canned stuff that seems to prevail these days!), it has to be mapped carefully on to the actor(s). (I'm just going to use a generic male actor for this discussion.) So what are the factors that must be taken into account? Well, in my thinking, here's what they are: 1. Match between the actor's voice and the singer's best impersonation: This must be an important criterion, but not the definitive one and I'll explain why later. Very obviously, the most ridiculous pairing would be one where the singer's voice and the actor's voice are at two ends of the audio spectrum. It'll rock my world if an actor with a deep bass goes into treble every time he has the urge to burst into song. So one aspect of the match must be the frequency of the voices. Another aspect of the match would be the tonal quality of the voice. But then this must be harder to match and I don't think it would be as disturbing as the first mismatch. A third aspect of the match would be to mimic the speech mannerisms of the actor. When we hear Rafi do such a good Johnny Walker, I suspect that is what it is that registers. 2. Public association of singer to actor: To me, this is an important criterion. It is possible that the original match of an actor with a singer was not really the best, but if a few songs from the original pairing caught the imagination of the public then people start associating the singer with the actor. As an example, funny as it may seem, these days whenever I picture Salman Khan singing, the voice is always SPB. I don't think Mukesh's voice fits Raj Kapoor as well as Manna Dey's does, but the Mukesh-Raj Kapoor pair had so many hits under their belt that you expect the voice of Mukesh every time RK sings. So, maintaining that continuity in the public imagination must weigh heavily on the music directors. To be sure, there are counter-examples - a who's who of singers singing for Dev Anand - but this is no mathematical formula else you and I would be doing it, right? Almost as a counterpoint, breaking the mould by choosing a new singer for an actor might bring a freshness which could change sagging fortunes. 3. The situation in the movie: This is probably an important consideration when there is more than one singer who could possibly playback for an actor. And then there are some choices which are almost independent of actors. For example, if it were a light ghazal, I (as a MD) would consider Talat Mehmood just because he has the perfect voice for it! And choosing Mohammed Aziz for a fun-filled song is probably a bad idea because there is so much pain in his voice... sorry, sorry, that bit of sarcasm just slipped out. 4. Technical considerations: However perfect the match may be with respect to the other criteria, if a singer can just not deliver the goods, there's no point in forcing him to sing, is there? It is difficult for Kishore Kumar to do a classical piece - face it, so there's no point twisting his voice into doing a song for Rajesh Khanna in which he plays a classical concert singer. Then there's range and bandwidth and other vocal gymnastics. Up to some recent point, if I were to choose between Anuradha Paudwal and Lata to do a bhajan, I would choose the latter just because she could put so much more into a song. 5. Regional considerations, favoritism, fees commanded, etc. Yeah, yeah, yeah... I should stop right now before I make more contradictions... I wanted to come up with more examples illustrating my points, but I'll spare y'all. -- ______ /_____/\ / \ \ Quidquid latine dictum, altum videtur. / __ \ \ / //_\ \/ ______________ \ \__/ / / | | \ \ / | | | | \______/ \__|________|__/