RMIM Archive Article "389".

From the RMIM Article Archive maintained by Satish Subramanian
#
# RMIM Archives..
# Subject: Lata's Best - Quiz
# 		 Questions 18-19
# Posted by: Satish Subramanian
# Source: Illustrated Weekly of India
# Author: Raju Bharatan
#


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Question 18: 
   
			  Lata's Best?
   
	  Raju Bharatan, for Illustrated Weekly of India
   
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      Lata has opted in this album  to  hold  the  scale
      even between RDB and LP.  If LP have been favoured
      with three selections, RDB  wins  like  attention.
      Probably,  because Lata has always made a point of
      the fact that she can effectively  sing  that  RDB
      style  of  compositions  too - it is just that she
      prefers to leave this genre to Asha!

      
      Now Lata has named, from R D Burman's repertoire,
      

        1. Dilbar dil se pyaare Dilbar        (Caravan)
        2. Na jaa mere humdum          (Pyar Ka Mausam)
        3. Tere liye palkon ki jhalar         (Harjaae)
      

      Only in the last of these three compositions do we
      get  the  style  of Lata vocals we expect from her
      under RDB's baton.

      
      Believe it or not, thanks to Lata,  RDB  was  once
      even in the running for a Sur-Singar award for the
      virtuosity with which he had got her to render, in
      the raag Jogiya, a number in "Chandan Ka Palna".
      

      Can you spot out that "Chandan Ka Palna" Lata solo
      on the N55264 78 rpm?
      
      

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Question 19:
   
			  Lata's Best?
   
	  Raju Bharatan, for Illustrated Weekly of India
   
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      Lata's historic album has led to  the  raising  of
      many  eyebrows  for  the  fact  that it carries no
      fewer than seven compositions by her own  brother,
      Hridaynath Mangeshkar. Seven!

      
      And five of these seven are 'private' compositions
      that  HMV could alone have considered including in
      an album that, on  its  own  admission,  has  been
      brought out  to commemorate '40 Glorious Years' of
      Lata as a Playback Singer.
      

      This is not to question Hridaynath's creativity as
      a  composer.   There  can be no two opinions about
      the fact that he is the Marathi Jaidev.
      

      But only two of his seven songs picked,
      
         1. Om namah shivaye        (Mashaal)
         2. Yeh aankhen dekh kar   (Dhanwaan)
      
      could strictly have  qualified  for  inclusion  by
      Lata  -  if this album was supposed to signify her
      having  completed  four  decades  as  a   playback
      singer.

      
      Just a  single  choice  like  "Tum  aasha  vishwas
      hamare"  (Subah)  would  have  been  sufficient to
      bring out the potential of Hriday  that  has  gone
      sadly unrealized in Hindi films.
      
      
      Hriday's first Hindi film was  "Prathana"  (1969).
      His  first recording for it was "O baanwri" in the
      voice of Asha, not Lata.
      
      
      But there was a Lata and chorus number by  him  in
      "Prathana".  Remember its opening line?
      

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From the RMIM Article Archive maintained by Satish Subramanian