With this post, ATMJH completes 200 posts, and hence 200 songs down memory lane! When I started the series more than a year ago, I never thought it will make to thus far. This just shows that the ocean of great songs is too big, and every dive down the bottom will fetch new pearl. It's been a long time I talked about Mukesh -- my first choice. As ATMJH #200, I present one of his best work. #200 Song: O Dil Na Lagaana (2), Jine Na Dega Ye Zamaana Film: Mashuka (1953) Music: Roshan Lyrics: Shailendra? Singer: Mukesh *ing: Mukesh, Suraiya In eraly 1950s Mukesh' old passion -- acting saw new life. He was riding high with numerous hit songs after 'Dil Jalataa Hai'. He announced Malhaar (1951) under (his) banner of 'Darling Films'. Film bombed on box-office. But music was runaway hit. As V Gangadhar (whose article on Talat Mehmood was posted by Neha Desai recently) notes, around that time "singing hero" was still alive, and Mukesh jumped into this project -- Mashuka. The film was disaster. So much so, that even music of Roshan didn't sell. Today, I wonder why ? This film is one of my favourite Roshan films. It has a dream pairing (in terms of singers) of Mukesh and Suraiya -- one of the most sweet voices that ever graced cinema. Well, mathematics and logic of success is not known or understandable. This song was the only hit song from the film. Song has pleasing music, and Mukesh' low pitched voice adds to the melody. But this is not the song, I would like to run for. The song that I place in my list of Mukesh top-10 was Maasum Dil Ki Haan? Pe, Naache Jiya Khushi Me Aur Bas Isi Bahaa~~ne, Gam De Diyaa Kisi Ne Pathos in this song doesn't find any parallels. Great singing and a superb tune. Song starts with following opening couplet, that reminds opening of 'Tara Tute Duniya Dekhe' of Malhaar. Zameen Bhi Chup Hai, Aasmaa Bhi Chup Hai Bataa Ai Maalik, Meri Qismat, Ban Ban Ke Kyun Bigad Rahi Hai is similar to 'Basaa Li Dil Me Teri Yaad' in tune. But that's it. The songs themselves are very different and I would say 'Tara Tute' is no comparison to this gem. The only other Mukesh solo (under Roshan) that IMO, can stand with this song was for an earlier Roshan film (again lesser known) Bedardi (1951); I will talk about that sometime in future. Obviously, Roshan didn't waste this opportunity to compose memorable songs with Surauya. Following number comes to mind immediately as soon as name Mashuka flashes: Mere Man Me Uthi? Umang, Ban Ke MainBan Ke Main Tarang Samaa Jaaun, Samaa Jaun, Tere Dil Me .... A beautiful song. Really entertaining music. She also sung 'Hae Judaai Ki Chot Buri' (Am I wrong here ? May be it's not from Mashuka). Sounds great in her pristine voice. Most interestingly, the only other song attained some popularity (other than "O Dil Na Lagana') was not sung by Mukesh or Suraiya. It was a duet sung by Kishor Kumar and Meena Kapoor! And what a song!! Ye Samaa, Hum Tum Jawaan, Pehalu Se Dil Sarak Jaae Pyaar Ki, Ye Gali, Hum Se Chhodi Na Jaae will be remembered, for ever as one the best Kishor song. Meena Kapoor -- to put simply -- is just great here. Fabulous number indeed. Suraiya also sung a gem of song with chorus: 'Ek Raat? Ek Aas ??? Tere Shyaam consisting of bells, tabla, jaltarang? and occasional string instrument notes. Then chorus starts 'Ek Raat? Ek Aas ...' followed by Suraiya. Initial part reminds me 'Devataa Tum Ho Mera Sahaara'. Great composition by Roshan. Mashuka, surely is one of the best Roshan film after Raag Rang, Naubahar and Malhaar. This above Suraiya+chorus song and following number -- these two -- alone make it desert island effort. Finally, the song that's most dear to me and am unsuccessful in getting a copy so far. It is one of the best lori I have ever heard. Well, 'Soja Raaj Kuamri' , "Dhire Se Aaja Ri' and 'Aaja Ri Aa' (Lata in Do Bigha Zameen) are right up there, for it's customary to do so, I will vote for this absolute beauty from Mukesh and Suraiya: Zilmil Taare Kare Ishaare So Ja~~~, So Ja Ra~aj Dulaare I know, I am going to cry the day I will get copy of this song. And there is no exaggeration here. It's just out of world creation ; out of world rendition. The change of rhythm -- delivered so effortlessly and so beautifully by Suraiya and Mukesh -- near 'Mere Aangan Ek ....' is incredibly good. If you like "Devataa Tum Ho Mera Sahaara' (Rafi-Mubarak) or 'Mohan Ki Muraliya Baaj Rahi' (Saigal-Raj Kumari) or 'Jaake Bain Pyaare Pyaare Hain' (Atma-Suaiya) you would like this as it's in that supreme league. I can't describe glory of this song anymore. I stop typing.
Author: Snehal B. Oza