#417
Song:
kal jamuna tat par aavoge aavoge, aavoge aavoge
murjhaayi kali hamre man ki, hamre man ki
tum aakar isey khilaaoge, aavoge aavoge
Film:
Neel Kamal (1947)
Singer:
Raj Kumari
Music:
B Vasudev
Lyrics:
Kidar Sharma
*ing:
Begum Para, Raj Kapoor, Madhubala
This strange offbeat movie from Kidar Sharma marked the debut
for both Raj Kapoor and Madhubala as romantic leads. Though
not
a commercial success (nor marked with any great performances),
it was still a movie a specific significance for both, and
it
remained a personal favorite of Madhubala.
The first time I saw Neel Kamal, it seemed rather ridiculous.
But watching it over and over, some things started to stand
out.
One was the naive simplicity with which the reluctant romance
between a village girl and an atheist sculptor was manifested
;
as Raj Kapoor said of his first 'love scenes' : "...I do
not
think any of us felt we had played love scenes until we
saw
them on screen. There were yards and yards of beautiful
dialogue
that shuttled between the village maiden and the atheist
sculptor. That was how the love scenes were played. Facial
expressions and vocal intonations telling of the emotion
shimmering beneath beautiful words..."
Couldn't have put it better. And the other facet of the movie
that bolstered this delicate portrayal is B Vasudev's music
and
Kidar Sharma's poetry- it's very simple and heartfelt. Kidar
Sharma has always been a favorite poet of mine. Most of
his
romantic verse is laced with an unalloyed, honest affection
that
is able to convey all it wants to without resorting to the
"flowers of phrase that can easily become a cloak to hide
poverty of thought". This has been set to some very lush,
classically-oriented music by B Vasudev. Some lesser known,
beautiful melodies sung by artistes like Zohra, Raj Kumari,
Hamida (dunno who that is), Bhatkar (dunno who that is either,
is it MD Snehal Bhatkar ?) and Mukesh.
This is the first song in the movie, as Ganga (Madhubala)
narrates her dream to Madhusudan (Raj Kapoor). Very sweet
tune,
and a rather funny picturization - Raj Kapoor in Krishna's
garb, doing nothing more than grinning beatifically as she
serenades to him, bobbing up and down on some sort of a
makeshift suspension bridge separating them.
My favorite in the movie would have to be a lovely Mukesh-Hamida
in the early moments of the movie... "sochta kya hai sudarshan
ke
chalaanewaale".
..Hrishi