"Pacific Duets - VII"
#428
Song:
mat chhed zindagi ke khamosh taar sojaa
dil-e-beqaraar sojaa
Film:
Raag Rang (1952)
Singer: Talat
Mahmood, Lata Mangeshkar
Music: Roshan
Lyrics: Kaif Irfani
*ing:
?
Arunabha's recent query on Talat-Roshan triggered off a hunt
for songs from
this pair, and a host of beauties suddenly made their presence
felt. This
gorgeous duet from an equally gorgeous soundtrack ranks way
up there among a
hypothetical "pacific-duets-to-die-for" list. HMV has to
be thanked for their
magnanimous brainwave that led to the release of this pair
of Roshan
soundtracks (RaagRang/Aji Bas Shukriya) recently. Raag Rang,
in fact,
together with CR's "Parchhain" constitutes a veritable "jannat"
for
Lata/Talat devotees... often leads to asinine acts like recording
the same
soundtrack on both sides of a TDK C-60.
A physical reflex reaction to this beautiful musical caress:
close your eyes,
throw your eyes back and drink in every note and strain -
right from the
faintly entreating violin piece that heralds the song, with
the soft, softly
belted prelude.. har nayi raat nayaa dard
liye aati hai niind aankhon se
bahot duur hui jaati hai and onwards till the final note.
Towards the end of the first antaraa in Talat's voice, Lata's
arresting
"alaapi" comes waltzing in :
o~oo~oo...o~o...
nazren churaane
waale nazren zaraa uThaana
siikhaa kahaan
se tuune ulfat mein dil jalaana
o dil jalaane
waale kehta hai pyaar sojaa
dil-e-beqaraar
sojaa...
A number of duets used this technique - starting off the song
in one voice and
then introducing the other one, artfully superimposed over
the first one -
through soulful hummming or "alaapi". Another one that floats
promptly into
memory is the gentle lament from "Barsaat" - 'chhod gaye
baalam'.
And then, if you add this lesser known vault to this duet,
not owning this
soundtrack actually starts assuming criminal dimensions :-)
:
yahiin bahaar
hai duniya ko bhuul jaane ki (Lata)
kis nazar ka mast
ishaara hai zindagi (Lata- my favorite)
aur hai dil ki
lagii (Talat)
yeh kaisi adaayen
(Lata)
and the unequivocally magnificent Yaman piece from Lata -
aeri aali piya
bina...
Hail be to thee, "King" Roshan..