A guest pacific duet from Neha today.
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"Pacific Duets - X"
#432
Song:
chandrama ja unse keh de na bano itne kaThor
baaT takte ho gayi geeli mere palkan ki kor
Film:
Bharat Milaap (1965)
Singer: Mahendra
Kapoor, Lata Mangeshkar
Music: Vasant
Desai
Lyrics:
*ing:
Considering that this song is from 1965, and it is being posted
in ATMJH, this is my way of expressing my view on the division
of the 61-70 decade. Right after Arun and Anil expressed
their
agreement with Hrishi about the 60s decade being closer in
expression to 50s rather than 70s, we saw Vijaykumar come
in
and make one post of a 1965 song, kinda like marking his
territory
and having done that, return back to his 70s and 80s songs
for
the series. I guess the decade will just have to be shared
by both
Hrishi and Vijay. And seeing the difference in the kind of
songs
chosen by each in their series, I doubt if there will be
any overlap
in the songs Vijay and Hrishi would post. This song is one
which I
would rather have included in ATMJH than in YGYR specially
since
it is "unabashedly laudable".:)
Having given my reason for including this song in the ATMJH
rather than YGYR, let me go on to sing praises for this song.
An 'out of the world' duet, in every note and word.
I never move to the next song in the tape without rewinding
this
song atleast a couple of times. Mahendra Kapoor's vocal abilities
are at a display here and boy! does he show off. Terrific.
One
listen would be enough to make one appreciate this singer
and
the Music Directors' decision to judge him the best in that
much talked about contest. This duet reminds me of another
duet
he has with Lata "aaj madhuvaataas dole..', both soft and
highly
romantic in nature...though one is birha and one is milan
song.
The tablas are used very very effectively and you would get
the feeling that it is the only musical instrument besides
the voices
(of course it isnt), but then it is Vasant Desai!
--
Neha Desai
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To add my twopence to it, this soft, reflective duet is based
on the same
musical foundation as Vasant Desai's 'tere sur aur mere geet'
(what raaga is
it?). Yet another deft use of an all-pervasive lyrical formula
that has formed
the content of a great many unforgettable melodies. The moon,
in all it's
synonym-ed glory (chaand, chandaa, chandrama, what-have-you)
has been employed
in a wide range of roles by our imaginative poets- a witness
(chandaa re main
teri gawaahi lene aayi), a celestial mailman (chandaa re
jaa re jaa re), a
romantic rival ("badli mein chhupe chaand...") and now, in
this song, as an
interlocutor. Now what does that leave out ?:-)
..Hrishi