#71 Song: Kyun Yaad Aa Rahe Hain, Guzare Hue Zamaane Woh Dukh Bhare Fasaane, Rote Hue Taraane ... Film: Anmol Ghadi (1945) Music: Naushad Lyrics: Tanvir Naqvi Singer: Surendra *ing: Surendra, Noorjehan, Suraiya In 1937, Bombay Talkies brought a young, handsome law graduate, to counter New Theatre sensation called Kundan Lal Sehgal! That young man was not really as much interested in singing as in acting. Started with Deccan Queen (1937), he gave us some memorable films as Manmohan (1940), Anmol Ghadi (1945), Anokhi Ada (1948). We know today, he couldn't quite put up any challenge to K L Sehgal. Nevertheless, he gave us some beautiful songs in Vishwas, Naagan, San 1857, Jagirdaar, Gavaiya etc. You know, I am talking about this real handsome hero of 1940s - Surendra Nath. All these films gave him either some good role or good songs, not both. But one film, created a history, much like Devdas (1939) of Sehgal. That film was Bhartruhari in 1944. The song 'Bhiksha Dede Maiya Pingala' became an unprecedented hit. All the people who lived that age and whom I have met, have always talked about the film. His personality was the best fit for the film, much as Sehgal's to Devdas. Tomorrow is his death anniversary. I, through this series ATMJH, am paying homage to this 'Maazi Ke Chiraag', dedicating todays post to him. Coming to the song - This song was arguably his best effort that allows you to place him with legendary Sehgal. The credit must go to Naushad Ali for showing the true strength of the singer. The pathos are quite effectively expressed. Lyrics of Tanvir Naqvi are too good. In fact, I don't know whether this song is liked for his singing or it's lyrics. But the song took a back seat to a duet, of Noorjehan and himself, that became an all time heat ('Awaaz De Kahan Hain'). In fact, the entire soundtrack is so overwhelmingly overshadowed by this "Mallika-E-Tarannum' that four beautiful solos, two each by Surendra and Suraiya , have almost gone on a 'Bhule Bisre' list.
Author: Snehal B. Oza