#98 Song: Bah~aar Aayi``, Khili Kaliyaa~n, Hanse Taa~re Chale~~~ Aavo, Hame Jeene Nahi Dete, Ye Nazza~re, Chale Aavo ... Film: Alif Laila (1953) Music: Pt. Shyamsundar Lyrics: Sahir Ludhianvi Singer: Lata Mangeshkar *ing: ? This one is a song, where you find as if several musical instruments are playing by itself when Lata sings! Stunning number, really. All credits to Pt. Shyam Sundar too, for setting this very good - equally difficult -- tune. When Lata sings, orchestra doesn't go with her. It's only when she pauses, it comes front with a seemingly huge band of violin leading the way. Shehnaayi is also used very well. For example a piece after 'Kahin Aisa Na Ho Dil Ki Lago Dil Hi Ko Le Dube~~~' is beautiful. Lata shows amazing abilities with voice modulations. This entire soundtrack is a treasure. I know total six songs. All are rich. First let's talk about a song that is a case of inspiration from one's earlier composition! Following Rafi-Lata duet: Kya Raat Suhaani Hai, Aaj Zamaa~~ne Ki Har Shai Pe Jawaani Hai (Rafi) Anmol Nishaani Hai..... (Lata) is an extension of 'Saajan Ki Galiyan Chhod Chale'. There is one more Rafi-Lata duet: Khamosh Kyon Ho Taaron, Ummid Ke Sahaaron A very good one indeed. Rafi lover should always like it. Finally let's talk about two Talat solos. First one is again an inspiration; but this time for a change, from another talented composer of yesteryears: Gyaan Dutt. Mere Nagmo Me Un Mastana Nazaron Ki Kahaani Hai Muhobat Hi Muhobat Hai, Jawaani Hi Jawaani Hai Reminds you a fabulous Mukesh solo from Sunehare Din (1949): Bahaaron Ne Jise Chheda Hai, Wo Saaz-E-Jawaani Hai Zamaana Sun Raha Hai Jisko, Wo Meri Kahaani Hai But... fails to reach the heights of Mukesh solo. Anyway, the last song I am going to talk about is a perfect ghazal and a great composition from master: Ye Meri Bebasi, Mera Haal-E-Jaar Dekh To Le Khadaa Hun De~r Se Ummidvaar Dekh To Le Talat is at his pick here.
Author: Snehal B. Oza